Lumumba: Race and Revolution :: essays papers

Lumumba Race and RevolutionIn the French film entitled Lumumba, theater director Raoul Peck recreates the ultra struggle of Patrice Lumumba, the newly elected Prime notion of The Congolese Republic. In the movie, we do not see much of the license struggle against the Belgian government, but we begin to see the reconstruction of the African state in African hands. While no one ever claimed that decolonization was easy, maybe this particular example can best be explained by Fanons simplified little quip decolonization is eternally a violent phenomenon. In this paper, I will seek to send where this post-colonial abandon is located in discourses regarding race, class and sex activity. Particularly, I will look at the representations of race and class, and the lack of the representation of gender, in determine to throw away conclusions about the nature of representation and the effects this has on anti-colonial film.Locating the violence within the anti-colonial struggle may be harder than it seems. One can slowly note the physical and sexual violence brought upon the people (black and white) of Congo later independence, but we moldiness locate the other forms of violence in order to bring the entire story of Patrice Lumumba to light. The directors attempt at bringing the story of Patrice Lumumba to the silver screen had political intentions. It had intentions of breaking post-colonial hegemonic forces that portrayed Lumumba as a nationalist dictator. In regards to race and class in Congo, I will refer to the work of Franz Fanon, in particular his nurse entitled The Wretched of the Earth. In this book Fanon develops a theory of soprano citizenship required by the colonizers in order to validate the colonization process. We nonplus to view the movie Lumumba as being part of the anti-colonial discourse in the history of the Congo but also as a diachronic fiction produced in 21st century France. In viewing this movie, we must locate race a nd class and the intersection between the two, as this is unendingly the case in post-colonial states. We must also understand the exclusion of gender from revolutionary discourses as being part of patriarchy that is not challenged in trusted revolutions. The exclusion of gender equality from what Lumumba struggled for is where there is a certain patriarchy, and this kind of patriarchy is evident in almost all revolutionary anti-colonial writing.